Romanian-born French poet and essayist known mainly as a founder of Dada, a
nihilistic revolutionary movement in the arts.
The Dadaist movement originated in Zürich during World War I; Tzara wrote
the first Dada texts - La Premiére Aventure cèleste de Monsieur
Antipyrine (1916; "The First Heavenly Adventure of Mr. Antipyrine")
and Vingt-cinq poémes (1918; "Twenty-Five Poems") - and the
movement's manifestos, Sept manifestes Dada (1924; "Seven Dada Manifestos").
In Paris he engaged in tumultuous activities with André Breton, Philippe
Soupault, and Louis Aragon to shock the public and to disintegrate the structures
of language. About 1930, weary of nihilism and destruction, he joined his friends
in the more constructive activities of Surrealism. He devoted much of his time
to the reconciliation of Surrealism and Marxism and joined the Communist Party
in 1936 and the French Resistance movement during World War II. These political
commitments brought him closer to his fellow human beings, and he gradually
matured into a lyrical poet. His poems revealed the anguish of his soul, caught
between revolt and wonderment at the daily tragedy of the human condition. His
mature works started with L'Homme approximatif (1931; "The Approximate
Man") and continued with Parler seul (1950; "Speaking Alone")
and La Face intèrieure (1953; "The Inner Face"). In these,
the anarchically scrambled words of Dada were replaced with a difficult but
humanized language.